1:25:49

about it for people watch it because when you're down like this you can still hear everything everything seems very very normal

1:25:55

it does seem like I'm so glad you said that circus for me the point is

1:26:00

everything is normal you know when you're when you're learning hypnosis some people get

1:26:06

by hypnotizing other people and and realizing they're gone there's no way

1:26:11

they'll be doing that or their response is genuinely unconscious other people I appreciate need to get it but they need

1:26:19

to get it by experiencing it and some people do and some people get get part of it okay yeah but my perspective is

1:26:27

that everything else is normal we're all going around with our own

1:26:33

version of reality right okay and obviously we believe in it it's real yeah you think you know what your name is mhm and you have no reason to think

1:26:41

anything otherwise okay so when I tell you that your name was Jenny a moment ago you really you believe me or you

1:26:47

believe me not but that the point is in that moment everything else was normal except for one belief of yours you

1:26:52

believed your name is Jenny camel hump for the third it's that simple okay it's ridiculous as it sounds now though it's a good example to

1:26:59

demonstrate with something really quite quite ridiculous like that of just how how normally I know it I know that would

1:27:06

be for watching thinking he's playing along he's being stupid but if you go out and test this and you change someone's name yeah then they will they

1:27:11

will defend the fact yeah yeah yeah because people watching it might think oh yeah is he kind of just trying about it I'm genuinely not and I suppose

1:27:16

almost a good thing for people that maybe have that perception is to maybe watch this and learn this with someone

1:27:22

else that this Enzo and you know watch and learn it with a friend and do it on each other so you can get that exact leaving right so so the point is you've

1:27:29

now got a new version of reality it's as real as the old one was yeah it's like a lutely the same it's exactly the same

1:27:35

it's just now one belief or shifted so as a hypnotist that's aren't proceeding really I'm changing one but key belief

1:27:43

at a time yeah you can you could go about your day you could be in the shop you could do your work but you believe your name is Jenny if anybody asks I

1:27:49

should I'll show you that okay so let's talk about the induction that's what I do it's permissive first of all and the

1:27:56

reason I want to show you this one first is because in a moment I'll show you that the handshake induction which is a

1:28:02

bit more of a surprise right it contains this kind of pattern interrupt as people say but it's actually exactly the same

1:28:09

wording as either hand fixation yeah this is the first phase is different so again I'm into process and

1:28:17

I think Banacek calls it the old witch doctor affair which thought you know putting meaning on what you're doing even though it doesn't really have a

1:28:23

meaning so and I tend to say you left-handed or right-handed right-handed right-handed okay in a moment I'm gonna

1:28:29

borrow that on is that okay with you and I generally point to their arm again we're sitting very close to yes you can

1:28:35

really see it but I will generally point at their arm and I am saying can I borrow your arm this is a strange way of

1:28:42

speaking about someone's arm yeah some people would just put their arm and say okay okay go but I want to turn this

1:28:48

into an object I want it to become slightly abstract right so I'm gonna say okay can I borrow your arm

1:28:53

I've now got permission to touch you okay okay and I'm gonna take the arm that is most convenient for me to work

1:29:01

with okay it's that simple so um Jimmy I'll be about here and I'd say okay I'm gonna take hold of your

1:29:07

wrist and I'm gonna take hold of your wrist so how you've really this kind of grip so with the thumb and the first two

1:29:12

fingers I've got the thumb I've got my middle finger the middle finger here and

1:29:18

this finger on the back and I'm gonna lift you up the reason I grab you like that is because I have an increased amount of sensitivity so I can Nell I

1:29:25

now know that if I was to take away these two fingers I could hold it there yeah just by maintaining contact in fact

1:29:31

if I let go you arm would stay there all by itself other people will have a very heavy arm and and they've interpreted my

1:29:37

instructions as to be completely loosened yeah if you hold them like that you kind of encourage that it even gets

1:29:44

a bit stiff or it just becomes heavy and you can't feel anything no right so I hold you like this and I'm gonna again

1:29:52

kind of position this like I'm very particular about okay the ideal is I want it above just slightly above your

1:29:58

eye line to say so you're looking up which is all good for kind of tiring your eyes and fixing your attention and

1:30:04

I will say look at the lines on your head and just pick one spot on your hand and I'm looking at your eyes and from

1:30:10

that point on to make sure that you've done exactly what I've asked you to do right so look at the lines on your hand

1:30:17

look at one spot now we're going to get in some more pacing and leading and is this kind of three steps as that hand

1:30:25

moves towards your face now at this point I'm actually pushing your hand toward face right right but I'm trying to feel

1:30:32

but when it starts to move by itself and I'll test it by taking off the thumb or a finger as that hand moves towards your

1:30:40

face that's a statement of fact yeah I know it's gonna move towards your face I'm gonna push it okay yeah as that

1:30:46

have moves toward your face your eyes will begin to change focus that is also a statement of facts because at some

1:30:52

point between here and here your eyes your eyes have to change they're gonna blow okay so stay can effect statement of

1:30:59

fact that's the pacing as the hair moves towards your face your eyes will begin to change focus and as you become aware

1:31:06

of your eyes now that's not so much pacing as forcing you to put your attention back on your eyes it's kind of

1:31:12

a meaning of this statement but it allows me to slide straight into a

1:31:17

command so as the hair moves towards your face your eyes will begin to change focus and as you become aware of your

1:31:23

eyes close your eyes and sleep go deeper deeper deeper down sinking floating

1:31:30

that's right all the way in all the way in all the way back into that place of hypnosis well I count to three you'll be

1:31:36

eyes open wide awake and alert one two three excellent okay so that's a very

1:31:42

odd thing because it's one of the stripes there is even you're kind of explaining it through it's very very

1:31:48

gentle this it's not in any way kind of harsh or obtrusive in that yeah a lot of

1:31:54

people think because there's this common sort of you know vision about this Bosch sleep yeah yeah kind of yeah

1:32:01

pushing ahead groans there are ways of that but there are ways of doing that and and and if you know how to kind of

1:32:06

manage the sort of health and safety aspects yeah then then I appreciate if

1:32:12

you want to take those risks that you could do that kind of thing but with this as far as I'm concerned it perfectly fits everything we've done up

1:32:18

to this point it's permissive it involves their arms it involves doing things that are slightly out of the ordinary but but spirit it's not all

1:32:25

about speed no I I tend to keep it a kind of regular talking pace as you look at that as you look at that as this

1:32:32

happens close your eyes sleep yeah so that the timing of the last bit and we just get back into that

1:32:38

position again okay Thunder we're here we're here we're here I want to get to this kind of point

1:32:44

so that I can drop my hand in front of your face or click my fingers near your face or ideally do both because that's

1:32:50

going to encourage your eyes to close yeah okay you haven't really got a point so I'm gonna say as it gets to which

1:32:55

face as you become aware of your eyes I didn't give an absolutely direct command close your eyes and I'll follow that and

1:33:02

you don't have to do this time yeah another direct company even close your eyes and sleep so you'll find out that

1:33:07

your eyes kind of cuz you've been used to up here up here up here then you had this moves and you can't help but you can't help slightly follow it down and

1:33:14

help it and again is that cheating is that kind of faking it no it's stacking the odds in your favor loading it up and

1:33:20

up and in your favor close your eyes sleep yeah and you know again I'd do this pushing on buddies but

1:33:27

it's actually very straight fool yeah it's just it's just encouraging their head to yeah okay you don't have to give

1:33:33

it a nudge and your head out would go anyway you're gonna get a variety of responses at that point okay let's

1:33:38

assume all is going well yeah and some people will just go bump their hand will drop down if they're kind of model of

1:33:45

hypnosis is their body relaxes completely and their head drops forward and some people would just go back like

1:33:50

that other people you'll say close your eyes and sleep and they'll stay there and they'll still be this this gap

1:33:56

between their hand and their head yeah other people which touch their head they'll be in this kind of position mm-hmm right so again this is what I

1:34:03

call leverage that you as the hypnotist have leverage by that I mean it's kind

1:34:09

of like playing a game of catch but in this situation I've thrown the ball but it's like I've still got the ball because it's you're now in a very

1:34:16

unusual situation you're sitting there with your eyes closed and your hand in the air and you're kind of waiting for

1:34:21

me the expert the hypnotist to give you're waiting for something that's the heavyweight I'm something else so used to you saying this is gonna happen this

1:34:27

is gonna happen now you're just so bearing that in mind the next thing to do is use this leverage you've got so if

1:34:34

I if I see their arms starting to come down as far as I'm concerned still my arm it still belongs to me so I'm gonna

1:34:40

say as your arm drifts down you can drift down with it as the muscles relaxed you can relax so it's more pacing and

1:34:47

leading the person in the direction I want to go if it was there I could say

1:34:52

now you're going to fill that hand sticking to your head like a magnet I could get straight into an actual route

1:34:57

yeah you know I'm in this position where the hazard you can't you know now they're really stuffed I mean they this

1:35:03

went well why wouldn't it make sense for magnets to stick to your head you know they've got every confidence this is gonna how it's gonna help you and and it

1:35:10

will happen and the alternative is all talk it up or I'll start talking the other hand I'll start I'll start pulling

1:35:16

this one up and again now we're into comedy failed at this because some it's

1:35:21

gonna happen your fingers gonna Twitter it's gonna get up towards your head mm-hmm and you can then link that to the next

1:35:27

thing that could be the hypnosis deepening it could be more becoming more comfortable with the process or it could

1:35:33

be against some other reaction so that's right ahead fixation obviously it's in

1:35:38

the book and I hope that that's enough details good I mean let's just let's for

1:35:44

the sake of the people time is that this is their specific bang-bang-bang points of that so you've got lifting that let's

1:35:49

just go with it okay well it points again yeah all you left-handed or right-handed right-handed that's just

1:35:55

establish you some process yeah in a moment I'm gonna borrow your arm is that okay with you that gets permission yes

1:36:01

okay it turns the arm it's something of an object I want you to look up here that

1:36:08

fixates their attention look at the lines on your hand now just pick one spot that narrows their attention down

1:36:13

it really encourages them to concentrate I'm gonna pace and lead as the hand moves towards your face your eyes will

1:36:21

begin to change focus as you become aware of your eyes close your eyes and

1:36:27

sleep deeper deep but down as their arm drifts back down to your leg you can drift down with it deeper and

1:36:33

deeper and deeper asleep into a wonderful place of absolute bliss that's

1:36:40

right a place of absolute bliss now in a moment this hand it's going to start to move toward your face just like your

1:36:46

heads a giant magnet in your hands and magnet you're gonna feel this hand move towards your face now it's gonna start to be pulled there the closer it gets

1:36:53

the better you're gonna feel for some unknown reason as you feel about hair moving towards your face you're gonna be

1:36:59

enjoying a growing sense of well-being completely at ease letting go of any inhibitions that's right as that

1:37:05

magnetic force pulls your hand toward your face that's right you can even begin to sit up and the your eyes closed

1:37:10

that make net force will get stronger that ham will continue to be pulled toward your head and the closer it gets the funnier

1:37:17

it's gonna seem for some unknown reason as it gets closer it's gonna put a smile on your face that's right that smile is

1:37:23

going to turn into a giggle closer and closer the closer it gets the funny I was gonna see him every time I click my

1:37:29

fingers it's gonna get 10 times funnier for some unknown reason its grow remind you of something something funny that

1:37:35

you haven't thought of for years something that when your unconscious mind finds it you are gonna crack up

1:37:40

laughing it's just so you can barely even a story you can barely relate to people that's why when it touches your

1:37:46

head he's gonna laugh and laugh and laugh and you're gonna laugh so much that's right funnier and funnier and

1:37:52

funnier you can't stop laughing now it's impossible for you it's funny you're back there now you'll seeing what you

1:37:58

saw you can hear in what you heard you're feeling what you felt this is absolutely hilarious to you and it's gonna get

1:38:03

funnier and funnier with every passing second what's gonna be even funnier is you're gonna realize that your hand is stuck to your head now it's stuck to

1:38:09

your head it's booed there and when you try and move it you'll find your car that's gonna seem fine to you as a funnier it gets the more stuck it's

1:38:15

gonna get it's like it's super glued it twitches you try and pull it it gets stuck stuck stuck stuck completely stuck

1:38:21

but it's hilarious to you

1:38:32

it seems it can't pull it off

1:38:53

[Laughter]

1:39:01

[Laughter]

1:39:19

[Laughter]

1:39:39

[Music]

1:39:45

see deeper deeper deeper down sinking floating drifting down all the way down

1:39:50

all that laughter is gonna make you feel so good in a moment I'm gonna wake you up you're gonna wake up you're gonna

1:39:55

feel so good you're gonna feel like you bad that three-hour massage like you've got an eight-hour sleep we refreshed

1:40:01

revitalized ready for the rest of your weekend and you are going to have a fantastic weekend obviously from this

1:40:07

moment and I say the word sleep you'll instantly and immediately return back into this state you love hypnosis you

1:40:13

love being hypnotized so one every muscle nerve and fibers coming alive you can begin to set up to feel a surge of

1:40:19

energy pouring in through that body of yours through those fingers and toes take a deep breath throw your chest up

1:40:24

Chris energy giving oxygen whizzing in through your system fantastic for your

1:40:29

heads being clear through it it's one for refreshing feeling every breath really back into the room five eyes open

1:40:36

wide awake Wow fantastic are you doing okay good because laughter is good

1:40:43

laughs good [Laughter]

1:40:49

you

1:41:01

you